I have strong tastes when it comes to what types of books I enjoy reading. Note the word “enjoy.” Reading is my form of escape, and as much as I can, I try to keep reading as something that I do for pleasure. Due to my personal tastes, one of the biggest categories/genres of books I don’t enjoy is the problem novel. Characters dealing with emotional issues and internal conflict aren’t fun for me to read. They stress me out. Reading about people with serious, real life problems is not how I choose to spend my evening curled up on the couch. Have I still read some of these books? Yes. I’ve read works by Ellen Hopkins (Impulse) and Laurie Halse Anderson (Speak and Wintergirls). Can these books be important? Yes. Do I know students who have loved these kinds of books? Yes. But novels dealing with emotional issues and internal conflict are not my cup of tea.
What I do enjoy: conflict, action, suspense, plots with twists and turns. Give me a quest. Give me a battle between good and evil. Give me dire stakes to save the one you love. That’s my kind of story. And therefore, that’s what I tend to write. I’m a conflict and plot driven writer. I plan out my books by the obstacles and challenges I intend for my characters to face. And I love writing this way. It’s great.
However, the wisdom of one of my professors pointed out that a novel can’t be just action. A novel has an action plot and an emotional plot. Typically, in my first draft, I have the action plot down. It’s my emotional plot that needs some help.
At first, this whole realization of an emotional plot kind of blew my mind. I didn’t really know what to do about it. It makes sense when you look at my reading preferences. Was I a total failure at this emotional stuff? But then I looked at the first drafts of my stories, and I realized that I’d left myself clues as to the emotional plot. Like breadcrumbs I didn’t know I’d trailed behind me as I was munching my way through the forest.
My first step to remedying my weak emotional plot, was to gather the clues I left myself and piece together the emotional journey my character goes on over the course of the story.
I find it helpful to identify both the action plot and the emotional journey. Sometimes it’s helpful to see how they fit together. And if you’re someone who is good at the emotional stuff, then it might help you to outline your action plot.
For example, here is the action plot and emotional plot of my novella “Rebel Angel”:
The action plot is composed of events or challenges in the physical world, whereas the emotional plot should be showing how the character grows and changes over the course of the story.
Identify the action plot and emotional plot of your novel. I find the chart helpful, but you may use any format that works for you.
Return next week for more about emotional plots and more writing exercises!
Links to Previous ‘Behind the Story’ Posts:
Pacing and Description Part 1
Pacing and Description Part 2
Pacing and Description Part 3
Choosing Character Names